Key Words
Umshado wesintu –
Traditional Zulu wedding
Ymgido wesintu -
Traditional Zulu dance
Umakoti - Bride
Umkhwenyana - Groom
Umqombothi – African
beer
Umemulo – Coming-of-age ceremony
Umembeso – Engagement ceremony
Lobola – Dowry; the gifts
exchanged between families
Gogo – Grandmother
Yebo – yes
Ubuntu – Nguni Bantu term related
to humanist philosophy, meaning ‘I am because you are’
Traditional Zulu celebrations are huge, costly
affairs that take many months or years to plan. They involve the entire extended
family, neighborhood, and for prominent families, the whole community. Hundreds
of people come together to celebrate a passing, wedding, birth, engagement or
coming of age ceremony. One of the first events I attended was an umemulo ceremony in rural Masinga, where
three rural Zulu young women celebrated their virginity and eligibility for
marriage. In more urban areas, if often marks women’s 21st birthday.
Next I attended an engagement ceremony umembeso, where the
families of the bride and groom presented each other with lavish gifts as part
of the lobola. Most
gifts were surprisingly practical: large cooking pots, grass mats for
entertaining, piles of warm blankets for winter, tailored suits patriarch, and
beautiful dresses and aprons for the women of the family. These ceremonies all
lead up to the main event—the traditional Zulu wedding.
Engagements can last years, as the lobola is slowly paid to the bride’s
family and both families gather contributions to pay for the actual wedding. In
my township, couples have a white church wedding followed by a traditional Zulu
wedding at the home the following day. It is an exhausting ordeal not only for
the bride and groom, but the entire family and neighborhood that help to make
it happen. Weddings are community events, where guests and uninvited community
members come together to celebrate the joining of two families.
The bride and bridal party just before her official entrance into the groom's family home. |
For the next two hours we sat around, watching the
men slaughter a massive cow in the front yard of the hosting family’s home.
Women are not involved in the slaughter or butchering at all, only coming into
contact with the meat as it’s cooked in heavy pots. Older men watched the
butchering from just beyond the fence. They sat on stones from the road and
drank from communal jugs of umqombothi. By the
time the ceremony started, these men were drunk and eager to dance.
Nothing ever seems to start on time in South Africa,
and on Sunday, the wedding was no exception. By the time things not going, the
wedding was a good three hours behind schedule. To fill the time, I decided to
meet the Zulu dancers lounging in the shade, practicing dances and texting friends
behind me. They all come from Section E, the one section of Ezakheni I’ve never
visited before. The girls were mostly in Grade 7-10 and were probably somewhere
between 12-17 years-old. I spent the next hour taking photos, joking around and
learning about their costumes. A few boys wandered over too, but for the most
part, the girls held my attention. They were precocious and hilarious. These
dancers formed the backdrop of all of the traditional aspects of the ceremony.
They led the bride out of the house in her white dress and sang as she made her
formal entrance into her husband’s home behind the wedding chest. The dancers
also escorted the groom and groomsmen out of the house, first in their white
wedding attire and later clothed only in their Zulu animal skins.
There seemed to be an unspoken order to events once
the wedding started. The bride made her official entrance into the Radebe home,
she walking around the yard with her bridesmaids and female members of her
family. As the bride’s procession wove in and out of the crowd, older women
sang and danced in the bride’s honor. Once the bride was settled under an
umbrella, the groom made his formal entrance. At that point, the celebratory dancing
began in earnest. The dancer troop preformed wedding songs and dances, growing
in intensity and complexity. Everything they did was captivating—their high
kicks and stomping sent dust flying over the crowd. A few drunken old men
occasionally wandered across the grassy stage, but for the most part the
dancers performed uninterrupted for over an hour.
The Zulu dancing kicked off a series of traditional
wedding activities. A mountain of gifts was bestowed to the groom’s family,
while people danced forward to give money to the new couple. The final act was
to assemble a brand-new bedroom set, complete with pillows and sheets. The
bride and groom stepped forward into their pretend bedroom. Both clad in
traditional Zulu clothes, the bride washed her husband’s feet and helped him
into bed. At this point the crowd erupted. Bridesmaids and women from her
family ran forward to beat the groom with sticks (luckily, he was safe from the
beating thanks to a new thick blanket). This dramatic, hilarious ruckus marked
the end of the ceremony. From this point on wards the bride would stay in the
home of the groom, slowly earning her place as a member of the Radebe family.
I’ve heard stories of mistreatment, jealousy and down-right contempt of brides,
but in this case, the bride will most likely return to Durban with their
children after a few weeks of fulfilling her duties as umakoti. Brides are expected to clean
and clean for their in-laws, slowly earning respect and a place in the family.
Zulu dancers waiting around next door before the wedding. |